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author = "Joachim Koester",. year = "2014" Scenes From Western Culture, Lovers (Ásrún Magnúsdóttir and Atli Bollason), 2015. Copenhagen Contemporary · Joachim Koester, 'The Place of Dead Roads', "The Place Of Dead Roads" by Joachim Koester at ARoS Art Museum, Denmark. 2018. Horse Sings From Cloud, Shortfilm 13 min, Directors: Isak Sundström, Mario Garcia Torres · Dominique Gonzalez-Foerster · Joachim Koester The Place of Dead Roads.

2017-05-10 This is evident in The Place of Dead Roads, 2013, a video installation that deconstructs the Western genre and its ritualised gestures. With the pacing, circling and gun-draw of the duel, four performers are engaged in a surreal encounter, their trance-like movements replete … 2017-01-31 Joachim Koester’s Video Captures the Dance of Koester’s piece is called The Place of Dead Roads, and it presents four figures out of the Wild West going through the Koester has Joachim Koester Maybe this act, this work, this thing, 2018 GIF-fil #act #work #thing Joachim Koester The Place of Dead Roads, 2018 GIF-fil #vibrations #ghosts Joachim Koester To navigate, in a genuine way, in the unknown necessitates an attitude of daring, but not one of recklessness (movements generated from the Magical Passes of Carlos JOACHIM KOESTER Born in 1962 in Copenhagen, Denmark. Lives and works between Copenhaguen, Denmark and New York, USA The Royal Danish Academy of Fine Arts, Copenhagen, Denmark (1987-1993) SOLO SHOWS The Place of Dead Roads, Jan Mot, Brussels, Belgium. Travelling: Centre d'Art In The Place of Dead Roads (2013) the cinematic motif is also evident, the video section deconstructs the western genre and its ritualised gestures. It consists of a surreal encounter between four performers engaged in a circling duel, with trance-like steps reflecting … The Place of Dead Roads, Centre d’art Contemporain, Geneva The Place of Dead Roads , Jan Mot,Brussels 2013 Joachim Koester: Howe, Yerba Buena Center for the Arts, San Francisco Reptile Brain or Reptile Body, It’s Your Animal, Palais de Tokyo, Paris … Danish artist Joachim Koester transforms the galleries of Camden Arts Centre with an immersive installation comprising 16mm film projection, digital video, photography and audio works.

The Place of Dead Roads, Galerie Jan Mot, Brussels - Lund

Commercial Gallery, Sydney previous page: Joachim Koester. The Place of Dead Roads, 2013. Someone once told me a story about a place in which there were Artist Joachim Koester also explores book from Ruppersberg's library after his death.

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The Centre d’Art Contemporain Genève presents The Place of Dead Roads, a solo exhibition by Joachim Koester featuring a new video installation, coproduced by the Centre, and an extensive collection of photographic works The Place of Dead Roads (2013) by Joachim Koester. Watch ©Adam Jandrup. Monument 0.3: The Valeska Gert Museum (2017) by Eszter Salamon & Boglárka Börcsök. Watch In the video installation, The Place of Dead Roads, four down-and-out androgynous cowboys engage in the ritual of posing, circling, drawing guns, shooting and other gestures linked to the Western film genre.
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The Place of Dead Roads Joachim Koester. More from Joachim Koester. Welcome To Arthur Arthur is a digital museum. We haven't opened yet, but somehow you found us Joachim Koester Maybe this act, this work, this thing, 2018 GIF-fil #act #work #thing Joachim Koester The Place of Dead Roads, 2018 GIF-fil #vibrations #ghosts Joachim Koester To navigate, in a genuine way, in the unknown necessitates an attitude of daring, but not one of recklessness (movements generated from the Magical Passes of Carlos Joachim Koester The Place of Dead Roads, 2013 Galleri Nicolai Wallner. Joachim Koester follow Demonology, 2010 Silver gelatin print 90 x 75 cm The Place of Dead Roads, Centre d’Art Contemporain, Geneva, Switzerland: The Place of Dead Roads, Galerie Jan Mot, Brussels, Belgium: 2013: Howe, Yerba Buena Center for Arts, San Francisco, USA: Joachim Koester: Tarantism, The Ian Potter Museum of Art, Melbourne, Australia: Reptile Brain or Reptile Body, It’s Your Animal, Palais de Tokyo Joachim Koester The Place of Dead Roads 23 May–17 August 2014. Centre d‘Art Contemporain Genève 10 rue de Vieux-Grenadiers 1205 Geneva Switzerland.

THANKS Will All Be Dead (Philip Gourevitch) take place in the foyer of the Haus der It has been written on the road, taking advantage of 5 Oct 2014 13.41 mins, looped. Courtesy the artist and. Commercial Gallery, Sydney previous page: Joachim Koester. The Place of Dead Roads, 2013. Someone once told me a story about a place in which there were Artist Joachim Koester also explores book from Ruppersberg's library after his death.
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Horse Sings From Cloud, Shortfilm 13 min, Directors: Isak Sundström, ACCA Education page 8. Joachim Koester. The Place of Dead Roads, 2013 single-channel HD colour video projection with sound. Courtesy the artist and Jan 10 Ene 2016 Cierra el ciclo el vídeo The Place of Dead Roads en el que unos actores repiten entre el ritual y la histeria gestos prototípicos del cine de Joachim Koester “The Place of Dead Roads” at Centre d'Art Monika Grzymala: Black Tape Installation | SheWalksSoftly Dessin 3d, Art Contemporain, 17 aug 2014 Zwitserland.

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Filme (Auswahl) Pit Music (1996) Message from Andrée (2005) Tarantism (2007) The Hashish Club (2009) Of Spirits and Empty Spaces (2012) The Place of Dead Roads (2013) Howe (2013) Department of Abandoned Futures (2015) JOACHIM KOESTER: “Well, I think there are many kinds of wilderness: In the 19th century, the uncharted places on the globe were a geographic wilderness for Western civilization; people would go to the jungles, the deserts, or the polar ice fields in order to discover and conquer new lands. Importantly, Koester's ruins avoid the ideological optimism of neo-conservative philosophers such as Francis Fukuyama who, in his famous book The End of History, sees modernity as having achieved its goal of universal freedom in the market-oriented liberal democracy of the USA. 51 On the contrary, Koester's ruins remind us of the instability of every social order, including neo-liberal ones Koester explores the labile borderline between consciousness and its various possible modifications--through trance in Tarantism, 2007, for instance, or through psychoactive drugs in The Hashish Club, 2009--and between reason and what escapes its control.